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2.2.19.
Ëîêàëüíûå êàíàëüíûå ñîîáùåíèÿ
Çàäàþòñÿ
êîíòðîëëåðàìè îò 120 äî 127 è óïðàâëÿþò îáðàáîòêîé ñîîáùåíèé â êàíàëàõ:
Îáÿçàòåëüíûìè
â General MIDI îïðåäåëåíû òîëüêî êîíòðîëëåðû 121 è 123.
Ñîîáùåíèå
All Notes Off èìèòèðóåò âûêëþ÷åíèå âñåõ âêëþ÷åííûõ íîò è ïîëíîñòüþ ýêâèâàëåíòíî
ïîñûëêå ñîîáùåíèÿ Note Off äëÿ êàæäîé çâó÷àùåé íîòû; áóäåò ëè ïðè ýòîì ïðåêðàùåíî
çâó÷àíèå íîòû — çàâèñèò îò ñîñòîÿíèÿ ðåæèìîâ Sustain è Sostenuto. Ñîîáùåíèå
All Sounds Off äåéñòâóåò òàê æå, íî íå çàâèñèò îò ðåæèìîâ Sustain/Sostenuto;
êðîìå òîãî, îíî íåìåäëåííî ïðåêðàùàåò çâó÷àíèå âñåõ íîò, íàõîäÿùèõñÿ â ñòàäèè
êîíöåâîãî çàòóõàíèÿ (Release).
Ñîñòîÿíèå
ñàìèõ ðåæèìîâ Sustain/Sostenuto ýòè ñîîáùåíèÿ íå çàòðàãèâàþò.
Ñîîáùåíèå
Reset All Controllers óñòàíàâëèâàåò âñå êîíòðîëëåðû â çíà÷åíèÿ ïî óìîë÷àíèþ
è èñïîëüçóåòñÿ äëÿ íà÷àëüíîé óñòàíîâêè óñòðîéñòâà ïåðåä ïðîèãðûâàíèåì ïàðòèòóðû.
Ñîîáùåíèå
Local Control ñëóæèò äëÿ çàïðåòà/ðàçðåøåíèÿ óïðàâëåíèÿ óñòðîéñòâîì ñ ëîêàëüíîé
ïàíåëè. Íóëåâîå çíà÷åíèå ïàðàìåòðà çàïðåùàåò óïðàâëåíèå ñ ïàíåëè, (óñòðîéñòâî
óïðàâëÿåòñÿ òîëüêî ïî MIDI), çíà÷åíèå "127" ðàçðåøàåò åãî.
Ñîîáùåíèÿ
Omni On/Off ñëóæàò äëÿ âêëþ÷åíèÿ/âûêëþ÷åíèÿ ðåæèìà Omni — ðåàêöèè óñòðîéñòâà
íà êàíàëüíûå ñîîáùåíèÿ. Ïðè âêëþ÷åííîì ðåæèìå Omni óñòðîéñòâî îáðàáàòûâàåò ñîîáùåíèÿ
äëÿ âñåõ êàíàëîâ, ïðè îòêëþ÷åííîì — òîëüêî ñîîáùåíèÿ äëÿ âûáðàííîãî êàíàëà (Basic
Channel). Ýòî ïîçâîëÿåò ðàçäåëèòü óñòðîéñòâà ìåæäó êàíàëàìè. Êàíàë íàçíà÷àåòñÿ
óñòðîéñòâó ëèáî ñ åãî ïàíåëè óïðàâëåíèÿ, ëèáî ïðè ïîìîùè ñîîáùåíèé SysEx. Ðåæèì
Omni èìååò ñìûñë â îñíîâíîì äëÿ ñòàðûõ èíñòðóìåíòîâ, èìåþùèõ îäèí MIDI-êàíàë
è íå ïîääåðæèâàþùèõ ðàçäåëåíèå òåìáðîâ.
Ñîîáùåíèÿ
Mono/Poly ñëóæàò äëÿ ïåðåêëþ÷åíèÿ îäíîãîëîñíîãî è ìíîãîãîëîñíîãî (ïîëèôîíè÷åñêîãî)
ðåæèìîâ.
Â
îäíîãîëîñíîì ðåæèìå â êàæäûé ìîìåíò âðåìåíè ìîæåò çâó÷àòü òîëüêî îäíà íîòà;
âêëþ÷åíèå íîâîé íîòû ïðèâîäèò ê ïðèíóäèòåëüíîìó îòêëþ÷åíèþ ïðåäûäóùåé.  ïîëèôîíè÷åñêîì
ðåæèìå âêëþ÷åíèå êàæäîé íîâîé íîòû çàïóñêàåò î÷åðåäíîé ñâîáîäíûé ãåíåðàòîð,
à ïî îêîí÷àíèè ðàáîòû ãåíåðàòîðîâ íîâûå íîòû ëèáî èãíîðèðóþòñÿ, ëèáî ïðèâîäÿò
ê ïðèíóäèòåëüíîìó âûêëþ÷åíèþ íàèáîëåå "ñòàðûõ" íîò. Çíà÷åíèå nn â
ñîîáùåíèè Mono âîñïðèíèìàåòñÿ íåêîòîðûìè óñòðîéñòâàìè êàê êîëè÷åñòâî MIDI-êàíàëîâ,
ïî êîòîðûì, íà÷èíàÿ ñ Basic Channel, ðàñïðåäåëÿþòñÿ íîòû â îäíîãîëîñíîì ðåæèìå
ïðè âûêëþ÷åííîì ðåæèìå Omni. Ñìûñë ýòîé ãðóïïû êàíàëîâ ðàçëè÷åí äëÿ ïåðåäàþùèõ
è ïðèíèìàþùèõ óñòðîéñòâ. Ïåðåäàþùåå óñòðîéñòâî íàïðàâëÿåò ïåðâóþ íîòó â Basic
Channel, ñëåäóþùóþ çà íåé - - â Basic Channel + 1 è ò. ä., çàòåì î÷åðåäíàÿ íîòà
ñíîâà íàïðàâëÿåòñÿ â Basic Channel, è öèêë ïîâòîðÿåòñÿ. Ïðèåìíîå óñòðîéñòâî
âîñïðèíèìàåò êàíàëüíûå ñîîáùåíèÿ òîëüêî âíóòðè çàäàííîé ãðóïïû êàíàëîâ, êàæäûé
èç êîòîðûõ ðàáîòàåò â îäíîãîëîñíîì ðåæèìå. Òàêîé ïðèåì ïîçâîëÿåò ðåàëèçîâàòü
ìíîãîãîëîñíîå èñïîëíåíèå íà ñèíòåçàòîðàõ, èìåþùèõ æåñòêóþ ïðèâÿçêó ãîëîñîâ (ãåíåðàòîðîâ)
ê MIDI-êàíàëàì. Êîíòðîëëåðû Omni, Mono è Poly âûçûâàþò òàêæå îòðàáîòêó êîíòðîëëåðà
All Sounds Off. Îò ðàçëè÷íûõ ñî÷åòàíèé ðåæèìîâ Omni, Poly è Mono ïðîèñõîäÿò
÷åòûðå îñíîâíûõ ðåæèìà ðàáîòû (mode) MIDI-óñòðîéñòâ:
Áîëüøèíñòâî
ñîâðåìåííûõ óñòðîéñòâ ðàáîòàåò â ðåæèìå mode 3 — ïîëèôîíè÷åñêèé ðåæèì ñ íåçàâèñèìîé
ðàáîòîé êàíàëîâ.
Â
GM äîëæíî áûòü 128 çâóêîâ ìåëîäè÷åñêèõ èíñòðóìåíòîâ è 47 çâóêîâ óäàðíûõ, êîòîðûå
äîëæíû ðàñïîëàãàòüñÿ â îïðåäåëåííîì ïîðÿäêå (òàáë. 2.7 è 2.8).
Òàáëèöà
2.7. Ìåëîäè÷åñêèå èíñòðóìåíòû
MIDI-íîìåð |
Íàçâàíèå
èíñòðóìåíòà |
||
0 1 2 3 4 5 |
Acoustic
Grand Piano — áîëüøîé àêóñòè÷åñêèé ðîÿëü Bright
Acoustic Piano — ÿðêèé àêóñòè÷åñêèé ðîÿëü Electric
Grand Piano — áîëüøîå ýëåêòðè÷åñêîå ïèàíèíî Honky-tonki
Piano — ðàññòðîåííûé ðîÿëü Electric
Piano 1 — ýëåêòðè÷åñêîå ïèàíèíî 1 Electric
Piano 2 — ýëåêòðè÷åñêîå ïèàíèíî 2 |
||
6 |
Harpsichord
— êëàâåñèí |
||
7 |
Clavinet
— êëàâèíåò |
||
8 |
Celesta
— ÷åëåñòà |
||
9 |
Glockenspiel
— êîëîêîëü÷èêè |
||
10 |
Music
Box — ìóçûêàëüíûé ÿùèê |
||
11 |
Vibraphone
— âèáðàôîí |
||
12 |
Marimba
— ìàðèìáàôîí |
||
13 |
Xylophone
— êñèëîôîí |
||
14 |
Tubular,
Bells — êîëîêîëà |
||
15 |
Dulcimer
— öèìáàëû |
||
16 |
Drawbar
Organ — ìåõàíè÷åñêèé îðãàí |
||
17 |
Percussive
Organ — ïåðêóññèîííûé îðãàí |
||
18 |
Rock
Organ — ðîê-îðãàí |
||
19 |
Church
Organ — êàôåäðàëüíûé îðãàí |
||
20 |
Reed
Organ — ÿçû÷êîâûé îðãàí |
||
21 |
Accordion
— àêêîðäåîí |
||
22 |
Harmonica
— ãàðìîíèêà |
||
23 |
Tango
accordion — àêêîðäåîí òàíãî |
||
24 |
Acoustic
Guitar (nylon) — àêóñòè÷åñêàÿ ãèòàðà (íåéëîí) |
||
25 |
Acoustic
Guitar (steel) — àêóñòè÷åñêàÿ ãèòàðà (ìåòàëë) |
||
26 |
Electric
Guitar (jazz) — ýëåêòðîãèòàðà äæàçîâàÿ |
||
27 |
Electric
Guitar (clean) — ýëåêòðîãèòàðà ÷èñòàÿ |
||
28 |
Electric
Guitar (muted) — ýëåêòðîãèòàðà ïðèãëóøåííàÿ |
||
29 |
Overdriven
Guitar — îâåðäðàéâ-ãèòàðà |
||
30 |
Distortion
Guitar — äèñòîðøí-ãèòàðà |
||
31 |
Guitar
Harmonics — ãèòàðíûå ãàðìîíèêè |
||
32 |
Acoustic
Bass — àêóñòè÷åñêèé áàñ |
||
33 |
Electric
Bass (finger) — ïàëüöåâûé áàñ |
||
34 |
Electric
Bass (pick) — ùèïêîâûé áàñ |
||
35 |
Fretless
Bass — áåçëàäîâûé áàñ |
36 |
Slap
Bass 1 — ñëýï-áàñ 1 |
||
37 |
Slap
Bass 2 — ñëýï-áàñ 2 |
||
38 |
Synth
Bass 1 — ñèíòåòè÷åñêèé áàñ 1 |
||
39 |
Synth
Bass 2 — ñèíòåòè÷åñêèé áàñ 2 |
||
40 |
Violin
— ñêðèïêà |
||
41 |
Viola
— àëüò |
||
42 |
Cello
— âèîëîí÷åëü |
||
43 |
Contrabass
— êîíòðàáàñ |
||
44 |
Tremolo
Strings — òðåìîëî ñòðóííûõ |
||
45 |
Pizzicato
Strings — ïèööèêàòî ñòðóííûõ |
||
46 |
Orchestral
Harp — îðêåñòðîâàÿ àðôà |
||
47 |
Timpani
— ëèòàâðû |
||
48 |
String
Ensemble 1 — ñòðóííûé àíñàìáëü 1 |
||
49 |
String
Ensemble 2 — ñòðóííûé àíñàìáëü 2 |
||
50 |
Synth
Strings 1 — ñèíòåòè÷åñêèå ñòðóííûå 1 |
||
51 |
Synth
Strings 2 — ñèíòåòè÷åñêèå ñòðóííûå 2 |
||
52 |
Choir
Aahs — õîð - à |
||
53 |
Voice
Oohs — ãîëîñ - î |
||
54 |
Synth
Voice — ñèíòåòè÷åñêèé ãîëîñ |
||
55 |
Orchestra
Hit — îðêåñòðîâîå òóòòè |
||
56 |
Trumpet
— òðóáà |
||
57 |
Trombone
— òðîìáîí |
||
58 |
Tuba
— òóáà |
||
59 |
Muted
Trumpet — ïðèãëóøåííàÿ òðóáà |
||
60 |
French
Horn — âàëòîðíà |
||
61 |
Brass
Section — ìåäíàÿ ñåêöèÿ |
||
62 |
Synth
Brass 1 — ñèíòåòè÷åñêàÿ ìåäü 1 |
||
63 |
Synth
Brass 2 — ñèíòåòè÷åñêàÿ ìåäü 2 |
||
64 |
Soprano
Sax — ñàêñîôîí-ñîïðàíî |
||
65 |
Alto
Sax — ñàêñîôîí-àëüò |
||
67 |
Baritone
Sax — ñàêñîôîí-áàðèòîí |
||
68 |
Oboe
— ãîáîé |
||
69 |
English
Horn — àíãëèéñêèé ðîæîê |
||
70 |
Bassoon
— ôàãîò |
||
71 |
Clarinet
— êëàðíåò |
||
72 |
Piccolo
— ôëåéòà-ïèêêîëî |
||
73 |
Flute
— ôëåéòà |
||
74 |
Recorder
— ðåêîðäåð |
||
75 |
Pan
Flute — ôëåéòà-ïàíà |
||
76 |
Bottle
Blow — äóòüå â áóòûëêó |
||
77 |
Shakuhachi
— øèêóõà÷è |
||
78 |
Whistle
— ñâèñò |
||
79 |
Ocarina
— îêàðèíà |
||
80 |
Lead
1 (square) — ñîëî-ïðÿìîóãîëüíèê |
||
81 |
Lead
2 (sawtooth) — ñîëî-ïèëà |
||
82 |
Lead
3 (calliope) — ñîëî-êàëèîïå |
||
83 |
Lead
4 (chiff) — ñîëî-÷èô |
||
84 |
Lead
5 (charang) — ñîëî-÷àðàíã |
||
85 |
Lead
6 (voice) — ñîëî-ãîëîñ |
||
86 |
Lead
7 (fifths) — ñîëî-êâèíòû |
||
87 |
Lead
8 (bass + lead) — áàñ + ñîëî |
||
88 |
Pad
1 (new age) — îðêåñòðîâàÿ ïîäêëàäêà, íîâûé âåê |
||
89 |
Pad
2 (warm) — îðêåñòðîâàÿ ïîäêëàäêà, òåïëàÿ |
||
90 |
Pad
3 (polysynth) — îðêåñòðîâàÿ ïîäêëàäêà, ïîëèñèíòåòè÷åñêàÿ |
||
91 |
Pad
4 (choir) — îðêåñòðîâàÿ ïîäêëàäêà, õîð |
||
92 |
Pad
5 (bowed) — îðêåñòðîâàÿ ïîäêëàäêà, ñìû÷êîâûå |
||
93 |
Pad
6 (metallic) — îðêåñòðîâàÿ ïîäêëàäêà, ìåòàëë |
||
94 |
Pad
7 (halo) — îðêåñòðîâàÿ ïîäêëàäêà, ãàëî |
||
95 |
Pad
8 (sweep) — îðêåñòðîâàÿ ïîäêëàäêà, ñâèï |
||
96 |
FX 1
(rain) — äîæäü |
||
97 |
FX 2
(soundtrack) — ñàóíäòðåê |
||
98 |
FX 3
(crystal) — êðèñòàëë |
||
99 |
FX 4
(atmosphere) — àòìîñôåðà |
||
100 |
FX 5
(brightness) — ÿðêîñòü |
||
101 |
FX 6
(goblins) — ãîáëèí |
||
100 |
FX 7
(echoes) — ýõî |
||
103 |
FX 8
(sci-fi) — íàó÷íàÿ ôàíòàñòèêà |
||
104 |
Sitar
— ñèòàð |
||
105 |
Banjo
— áàíäæî |
||
106 |
Shamisen
— øàìèñåí |
||
107 |
Koto
— êîòî |
||
108 |
Kalimba
— êàëèìáà |
||
109 |
Bagpipe
— âîëûíêà |
||
110 |
Fiddle
— ôèäë-ñêðèïêà |
||
111 |
Shanai
— øàíàé |
||
112 |
Tinkle
Bell — çâîí êîëîêîëü÷èêà |
||
113 |
Agogo
— àãîãî |
||
114 |
Steel
Drums — ñòàëüíûå áàðàáàíû |
||
115 |
Woodbloc
— äåðåâÿííûé áëîê |
||
116 |
Taiko
Drum — áàðàáàí-òàéêî |
||
117 |
Melodic
Drum — ìåëîäè÷åñêèé áàðàáàí |
||
118 |
Synth
Drum — ñèíòåòè÷åñêèé áàðàáàí |
||
119 |
Revers
Cymbal — ðåâåðñèâíàÿ òàðåëêà |
||
120 |
Guitar
Fret Noise — çâóê ëàäîâ ãèòàðû |
||
121 |
Breath
Noise — äûõàíèå âåòðà |
||
122 |
Seashore
— ìîðñêîé ïðèáîé |
||
123 |
Bird
Tweet — ïòè÷èé ñâèñò |
||
124 |
Telephone
Ring — òåëåôîííûé çâîíîê |
||
125 |
Helicopter
— âåðòîëåò |
||
126 | Applause — àïëîäèñìåíòû | ||
127 | Gunshot — âûñòðåë | ||
Òàáëèöà
2.8. Ñòàíäàðòíûå óäàðíûå èíñòðóìåíòû GM
MIDI-íîìåð |
Íàçâàíèå
èíñòðóìåíòà |
||
35 |
Acoustic
Bass Drum — àêóñòè÷åñêèé áîëüøîé áàðàáàí |
||
36 |
Bass
Drum 1 — áîëüøîé áàðàáàí |
||
37 |
Side
Kick — óäàð ïî êðàþ áàðàáàíà |
||
38 |
Acoustic
Snare — ìàëûé àêóñòè÷åñêèé áàðàáàí |
||
39 |
Hand
Clap — õëîïîê â ëàäîøè |
||
40 |
Electric
Snare — ìàëûé ýëåêòðè÷åñêèé áàðàáàí |
||
41 |
Low
Floor Tom — íèçêèé òîì |
||
42 |
Closed
High-Hat — çàêðûòûé õàé-õýò |
||
43 |
High
Floor Tom — íèæíèé òîì |
||
44 |
Pedal
High Hat — ïåäàëü õàé-õýò |
||
45 |
Mid
Tom — ñðåäíèé òîì |
||
46 |
Open
High Hat — îòêðûòûé õàé-õýò |
||
47 |
Low-Mid
Tom — ñðåäíèé òîì 2 |
||
48 |
High-Mid
Tom — âûñîêèé òîì 2 |
||
49 |
Crash
Cymbal 1 — òàðåëêà êðàø 1 |
||
50 |
High
Tom — âûñîêèé òîì Ç |
||
51 |
Ride
Cymbal 1 — òàðåëêà ðàéä 1 |
||
52 |
Chinese
Cymbal — êèòàéñêàÿ òàðåëêà |
||
53 |
Ride
Bell — êîëîêîëü÷èê ðàéä |
||
54 |
Tambourine
— òàìáóðèí (áóáåí) |
||
55 |
Splash
Cymbal — òàðåëêà ñïëýø |
||
56 |
Cowbell
— êîðîâèé êîëîêîëü÷èê |
||
57 |
Crash
Cymbal 2 — òàðåëêà êðýø 2 |
||
58 |
Vibraslap
— âèáðèðóþùèé õëîïîê |
||
59 |
Ride
Cymbal 2 — òàðåëêà ðàéä 2 |
||
60 |
High
Bongo — áîíãî âûñîêèé |
||
61 |
Low
Bongo — áîíãî íèçêèé |
||
62 |
Mute
High Conga — êîíãî âûñîêèé ãëóõîé |
||
63 |
Open
High Conga — êîíãî îòêðûòûé âûñîêèé |
||
64 |
Low
Conga — êîíãî íèçêèé |
||
65 |
High
Timbale — ëèòàâðû âûñîêèå |
||
66 |
Low
Timbale — ëèòàâðû íèçêèå |
||
67 |
High
Agogo — àãîãî âûñîêèé |
||
68 |
Low
Agogo — àãîãî íèçêèé |
||
69 |
Cabasa
— êàáàñà |
||
70 |
Maracas
— ìàðàêàñû |
||
71 |
Short
Whistle — êîðîòêèé ñâèñò |
||
72 |
Long
Whistle — äëèííûé ñâèñò |
||
73 |
Short
Guiro — ãóàéðî êîðîòêèé |
||
74 |
Long
Guiro — ãóàéðî äëèííûé |
||
75 |
Claves
— áðóñêè |
||
76 |
High
Wood Block — âûñîêèé äåðåâÿííûé áëîê |
||
77 |
Low
Wood Block — íèçêèé äåðåâÿííûé áëîê |
||
78 |
Mute
Cuica — êóèêà ïðèãëóøåííûé |
||
79 |
Open
Cuica — êóèêà îòêðûòûé |
||
80 |
Mute
Triangle — ïðèãëóøåííûé òðåóãîëüíèê |
||
81 |
Open
Triangle — îòêðûòûé òðåóãîëüíèê |
||
Ðàññìîòðåííûå òðåáîâàíèÿ ÿâëÿþòñÿ ìèíèìàëüíûìè, è íè ÷òî íå ìåøàåò ñîçäàâàòü èíñòðóìåíò ñ áîëüøèìè âîçìîæíîñòÿìè, ÷òî ðåàëüíî è ïðîèñõîäèò.
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